Welcome to the final part of the Haunted Eyeball’s interview with horror author James Pratt. Today we discuss Inspiration & Publicity.
Part 3: Lovecraft and Horror! – TODAY
James Pratt likes to create realistically flawed but basically decent characters and have them cross paths with serial killer angels, redneck vampires, slithering horrors from other dimensions, and the end of the world. He also likes to write stories that demonstrate how the ever-present darkness threatening to wash over the world like a wave of endless night can be held back with a little courage and a big shotgun (assuming one hasn’t already used both barrels, of course). Some take place in the distant past, others in the far future, and still others somewhere between eight minutes ago and twelve minutes from now. Whether sci-fi, adventure, or straight-out horror, the running theme is that the universe is very, very big and we are very, very small.
Lovecraft and horror!
Haunted Eyeball: What’s the first H P Lovecraft story you remember reading?
James Pratt: The Shadow Out of Time. I found it confusingly fascinating.
What drew you to Lovecraft? Why are you still a fan?
I was drawn to Lovecraft by the vast scope of his imagination and ability to convey an absolute sense of cosmic wonder and dread. I now read his works with a more mature and critical eye, but I’m still a humongous fan. His contribution to modern horror is undeniable and the sheer ambition of his stories has yet to be matched.
What do you most enjoy about mixing up genres and mixing in Lovecraft and horror?
I like the idea that the Cthulhu mythos has always been there, subtly infiltrating and influencing history and providing the foundation upon which many myths are legends were unknowingly built. The desolation of the mythic Wild West is a perfect setting for Lovecraftian horror. And the mythos’s fluid nature and resistance to continuity makes it extremely flexible for use in unconventional settings and genres far removed from traditional horror, like say for instance Winnie the Pooh’s Hundred Acre Wood. Not that anyone would be sick enough to write a Lovecraftian Winnie the Pooh story, of course.
How do you feel about ‘torture porn’ and other labels ascribed to modern horror films and books?
Unfortunately, in many cases it’s an accurate label. Personally, I find horrors movies that are essentially pretend snuff films extremely boring. I like monsters and supernatural weirdness, not women being raped with chainsaws. Being explicit for its own sake isn’t the same as pushing the envelope. That being said, I have to admit I was fascinated by the wonderful grotesqueness of Clive Barker’s Books of Blood.
What’s the last horror film or book you read or watched?
I’m ashamed to answer this one. I think it was ‘The Convent’, a movie about demonic nuns. It was pretty cheesy, but on the plus side Adrienne Barbeau was in it.
Horror writers can get jaded! What film or book (or picture!) last really scared you?
I found the first ‘Paranormal Activity’ movie genuinely creepy. ‘Insidious’ also had its moments. I loved the demon. And I can still watch ‘The Exorcist’ and feel a bit uneasy. I really wish it was possible to ‘delete’ experiences so you could see a film or read a book for the first time over and over again.
Do you have a survival plan for the end of the world? Which end of world scenario – zombies, bunny overcrowding, owl infestation, would you rather end up facing?
I’ve mapped out which neighbors would be easiest to handle in case I have to resort to cannibalism. My favorite end of the world scenario would of course be the return of the Old Ones. I won’t have to face it though. As a worshipper of Cthulhu, I’ll have the honor of being eaten first.
Which character you’ve created is your favourite (so far)?
I really like my version of Elvis in ‘Cthelvis’ but he’s based on an actual person and to be honest it didn’t take much work to turn the real thing into a wonderfully weird character. If I had to pick one, it would probably be Horton the rockabilly vampire from ‘Horton Hits a Ho’, closely followed by the brothers Sanjay and Umesh from ‘Incident at the 24-7’.
Are vampires losing their bite? (y’know…Twilight…) or is more variety a good thing?
As fictional creatures, vampires can be whatever a given writer wants them to be. That said, I HATE what vampires have become. Dracula wasn’t a love story, it was about ego and obsession. And what happens when you piss off Vengeful God (as opposed to Loving God). When the monster becomes the cool kid, he’s no longer the monster. Or maybe he’s just a different sort of monster, and definitely not the kind you want to root for. To me, Christopher Lee’s Dracula was the quintessential vampire. He wasn’t a hopeless romantic trapped in an immortal body but a monster whose human appearance was just a disguise. Vampires are supernatural parasites. They can’t give, they can only take. But that’s just my opinion. If somebody can make a living writing schlocky romance stories about star-crossed (undead) lovers, more power to them.
What are you currently working on (scary, I know)?
Are there any other writers you’d like to work with?
Yeah, but they’re all dead. I’m sure there are plenty of writers out there, indie or otherwise, that I would love to collaborate with but like I said, I haven’t even begun to tap the full potential of social media and connect with any of them. I’ve got to get my act together.
Any message you’d like to give to the lovely readers of the Eyeball?
If you wish there were more non-conventional books and films out there, then support what you like. YOU determine the market, not the other way around. If you want to make a living doing something creative, don’t wait for the world to come knocking at your door. Go out and create.
Thank you for reading this interview with the wonderful James Pratt, you awesome Eyeballers.
Also of interest:
James Pratt’s work has already been reviewed right here on the Haunted Eyeball!
Other Author interviews: