Monster Monday: Clive Barker’s Nightbreed – Cabal Cut

Cabal was written in what could be termed the original ‘heyday’ of Clive Barker’s horror reign. Clive Barker is best known for the tricksy Cenobites and the ruthless Candyman, but Cabal presented a brilliantly realised clutch of monsters who were actually the victims and  living as refugees from the harsh prejudices of the modern world. With their numbers depleted, the monsters took shelter underground, in the appropriately named graveyard of Midian, in an effort to avoid further destruction from frightened humans. Although you would be a fool if you weren’t a little afraid of the creatures, the point is that the world is a poorer place without their glorious strangeness. It’s a bit like angle taken later by the X-Men movies, only a lot more visceral.

Nightbreed, Clive Barker, Cabal, David Cronenberg, Monsters of Midian

Midian Group photo – thanks to Occupy Midian Facebook group

The essence of Cabal’s story was adapted into the movie Nightbreed, the new title which is actually a collective term for the monsters. A ‘troubled young man’™ named Boon is gradually drawn to their hiding spot through a series of strange dreams, and his psychiatrist (played with cool creepiness by director David Cronenberg) seems to be hiding some rather dark secrets of his own. The ancient secrets of Midian will soon be revealed to a terrified human populace, but who is truly monstrous is up for some debate.

When Nightbreed was first screened in 1990, it was heavily mutilated by the studios, and rumours proliferated of a more extensive, intelligent, and downright better cut that was a bit more faithful to the book. This ‘Cabal Cut’ was finally glimpsed at Frightfest London in 2012 and other screenings can be tracked down here.

Now, the wonderful website following the re-released cut, Occupy Midian, continues to post information about this elusive beast. Until Nightbreed’s better self gets released in its full glory on blu-ray and DVD, it’s well worth looking out for a screening of this cut at a film festival.

The Eyeball is keeping its lashes crossed that soon the Cabal Cut will pop up in the UK again – and is still annoyed about missing it at Frightfest last year. Until the Cabal Cut is made widely available, there’s still an uncut Region 1 DVD of the 1990 version out there, and the book to enjoy. But do check out the movie. Monsters are awesome. Midian is waiting.

Occupy Midian petition for reissue of the Cabal Cut on FacebookTwitteripetition.

Beautiful monsters

Beautiful monsters

Author Interview: Bruce Brown of Lovecraft for All Ages!

Today I am very happy to introduce an interview with Bruce Brown, creator of two graphic novels (so far) which chart the misadventures of young Howard Phillips Lovecraft and ‘explain’ how he became mixed up with the monsters of the Necronomicron. 

Howard Lovecraft & the Undersea Kingdom by Bruce Brown

The latest graphic novel by Bruce and co-written with Dwight L McPherson

Bruce lives in Springfield, Illinois and you can keep up with his latest work and news through Twitter, Facebook, and Amazon. His co-author, Dwight L. MacPherson’s site can be found here.

The Haunted Eyeball’s recent review of the two graphic novels, ‘…Frozen’ and ‘…Undersea’ Kingdom are here.

Starting ut

Haunted Eyeball: Welcome to the Haunted Eyeball, Bruce. Tell us, which authors did you enjoy as you were growing up?

Bruce Brown: I had so little interest in reading as a child because it was a struggle for me. It was my mother who introduced me to comics in an effort to spur my interest in reading. So, when I was young, all the early comic writers of my childhood drew me into comics but more importantly the joys of reading.

What do you like most about the horror genre?

I love the unknown in horror. I am not a big fan of the scare with the gory payoff.  The horror genre taps into the depths of the mind that lets you fill in the blanks on what is the scary thing lurking in the shadows is; Lovecraft was the master of this.

Do you have a favourite horror film?

Lately I have been watching the old Dark Shadows television show. Granted, I know it’s not a film (but soon will be – HE), but it had stuck with me so, because it was so elegant and subtle in creating this eerie mood. The horror is just right out of your sight, but you feel it. So, at the moment, that is my favorite horror.

Do any graphic novels or comics influence you?

I would say that Christopher Priest’s run on Black Panther. It was so unique and mesmerizing to me. I had never read anything like it and it showed me comics could tell stories in an incredibly unique way.

What’s your favourite H P Lovecraft story? (or top three!)

I would have to say “The Colour out of Space” and “The Shadow over Innsmouth”. They were the first Lovecraft stories I ever read and I was absolutely awed by Lovecraft’s work.

Lovecraft and the ‘Howard’ Graphic Novels

What inspired the creation of the ‘all ages’ novels?

Honestly, I have done other books that weren’t all ages, so I let the story I want to tell dictate whether it is all ages or not.

What part of H P Lovecraft’s work would be too dark to touch in these
graphic novels?

I think nothing is too dark if it is handled right. There are some extremely dark elements in the Frozen Kingdom but all of them are treated off panel.  There are things in the Frozen Kingdom I remember thinking about after the book was done and I was surprised how truly dark it was in certain parts.

Would you be interested in ever doing more adult versions of Mythos
stories?

I actually did co write an adult mythos story with my co-writer of the Undersea Kingdom, Dwight L MacPherson. I really enjoyed working on that story, but as far as Lovecraft mythos, I will probably only stick with my boys Howard and Spot.

The art is very lush, did you consciously go with a less ‘cartoony’ style, especially for the more epic scenes?

Absolutely! Both Renzo (Podesta) and Thomas (Boatwright) have such unique styles that they added to the eerie quality of the story. A cartoony style would have been totally wrong destroyed the mood of the whole story. Plus I wanted to mention the beautifully subtle interior cover art of Nicholas Brondo.

How did you decide what parts of Lovecraft’s real life to leave out, and why?

There are so many elements to Lovecraft’s work to play with. I wanted to blend real life things in Lovecraft’s life along with his work.   There are key elements to Lovecraft himself I wanted to include in these stories.

It is difficult to choose what elements of his work to use in the stories; just too many wonderful characters and stories to choose from.

Do you hope this will encourage kids to grow up and get into Lovecraft
and other horror stories?

Absolutely! I truly hope this will encourage younger readers to check
out Lovecraft’s work when they are older.

The Future

Can you hint at what lies in wait for young Howard and his faithful
friend Spot?  

The next installment, if sales allow for another, will really ramp things up for Howard and Spot. I think it is important to expand their universe in ways that also explain the real Lovecraft himself; of course done with a unique twist.

Name of the next instalment?

Well it will always be Howard Lovecraft & The……..Kingdom. But the words, Middle, Hidden, and Underground have been tossed around.

When are you expecting it to be released?

Hopefully it won’t be as long as a wait for the next book as there was for this one.

Any final message you’d like to give to the lovely readers of the Haunted Eyeball?

First, I wanted to thank the Eyeball for allowing me to talk about Howard and Spot and their adventures. Also, I wanted to ask its readers to please check out the Howard Lovecraft series! If you are a fan of Lovecraft or never heard of him, to give it a chance; you won’t be disappointed!

Many thanks for your time and best wishes Bruce!

Also of interest:

First look: You Know, For Squids

Innsmouth PressFuture Lovecraft

Real Ghostbusters:Call of Cathulhu

Review: Stinkypaws by Dennis Green

Stinkypaws by Denis GreenYoung Badger is the town outcast, not least because he exudes a rather overpowering stinky smell that he can’t ever wash away. Following the tragic loss of his mother, Badger and his put-upon father seem to be facing a tough lifetime of poverty and loneliness, until an act of kindness for a small dirty cat brings poor Badger some much-needed luck, and may just give him a chance to fix all his problems.

It’s not often we look at children-orientated books here on the Eyeball, but Dennis Green has proved that you’re never too old for a whiff of extreme silliness, or to enjoy watching gruesome bullies getting their comeuppance. The wickedly surreal spirit of Roald Dahl is in full flow, and it’s greedily eating slug and rhubarb jam and taking names. Tapping into everything great about all those darkly funny books we grew up with, some deceptively cute illustrations enhance its gleefully off-key sense of humour. You can see a few of these drawings further down the page.

Irreverent enough to enthral both adults and children, Stinkypaws is a fantastic story which keeps the giggles and the ‘eeeews’ coming thick and fast. Great fun for any age, this is highly imaginative, sweet, hugely disgusting and utterly hilarious.

From April 22nd to May 22nd 2012, Dennis will be giving any royalties from Stinkypaws to Great Ormond Street Children’s HospitalFull details on the Stinkypaws facebook page. You can also visit Dennis Green’s Goodreads page, check out his website, or follow him on Twitter

Below: Evil bully Dinger Dredgeworth; cute kitty ‘Stinkypaws‘ himself; and A Dying Sasquatch – which the Eyeball imagines very probably would make this noise. Probably. Perhaps. Almost surely.

Stinkypaws! A magical blue cat with a striped tail

A Dying Sasquatch.

Also of interest:

Lovecraft: You know, for Squids

Review: Howard and the Undersea Kingdom & Howard and the Frozen Kingdom

Review: Attic Toys Anthology (Edited by Jeremy C. Shipp)

Attic Toys
Attic Toys by Jeremy C. Shipp
My rating: 4 of 5 stars

Toy Story’s eerie concept of sentient, self-propelled toys is terrifying, if you really think about it, but at least Buzz Lightyear and his friends aren’t a malevolent bunch. However, ranging from gory and disturbing to sad, sweet and epic, this collection of playful nightmares may inspire you keep those action figures and favourite childhood toys under lock and key until the sun comes up. Just to be sure.

And wait, isn’t that Barbie looking at you funny?

Highly recommended.

Inside the Boxes by Jeff Strand
A man visiting his loving grandparents uncovers some deeply disturbing secrets about his childhood. Tongue in cheek but dark as hell, a great opener to the anthology and perfectly hitting a tone of repressed unpleasantness and corrupted innocence

Down in the Woods Today by Emily C. Skaftun
Very unnerving twist on something so familiar and cute. It’s midsummer in the woods, and of course, the teddy bears must have their picnic. But pagan-esque rites make monsters out of children’s loyal friends. This is definitely the stuffing of nightmares.

Dollhouse by Craig Wallwork
A clever take on the ‘haunted dollhouse’ scenario. I think we’ve all learned by now that if you find a perfect miniature replica of everything in your home, including its occupants, then you either run away or burn the thing. Fast. Eerie and upsetting, an excellent story.

Poor Me and Ted by Kate Joney
A damaged character’s disturbing reaction to grief. This story cleverly strangles you with your own heartstrings, twisting into an all too plausible and horrific payoff.

A Little Crimson Stain by Joe McKinney
A rare antique collector thinks he’s hit the big time when he discovers a valuable collectible doll packed away with a creepy picture of a dead girl. However, he soon learns that some toys are best left lost. Effectively spooky, and very visual.

I Heard it Through the Grapevine by S. S. Michaels
Brilliant story. A young boy hides in the attic to escape his abusive, violent father, only to receive help from a truly unexpected source. With plenty of gore and suspense, it’s still almost too ridiculous to work, but it totally gets away with it.

Dreams of a Ragged Doll by Cate Gardner
A girl follows her dream to a weird circus, although it’s all so surreal it’s hard to entirely catch the point of it all. It seems to be a bad dream about rag-dolls and human stitches that snap, and the imagery is uncanny and painful. There’s a real sense of unravelling reality as her sanity, and limbs, get snipped away.

Attic Dog by David Raffin
Wonderfully sad and very strange. Creates a beautifully desolate atmosphere of dust-strewn, forgotten spaces and the creeping, lonely decay of a long abandoned toy. Also there’s an alarming possible future for the ‘attic dog’ himself, if he ever gets out again.

When Harry Killed Sally by Lisa Morton
A concerned mother is driven to the brink when her daughter keeps destroying all her playthings, and then she hears a bizarre scratching sound in their attic. An enjoyable slice of ‘creepy child’ horror.

Living Doll by Piers Anthony
An excellent story that reads more like an exotic, yet classical fairytale. It’s a charming and beautiful piece of work, even if it isn’t technically horror. With plenty of magic, sorcerers curses and heroic quests, it maintains a tough, down-to-earth streak that stops it getting too syrupy.

The White Knight by Aric Sundquist
Children can get a bit lost inside their dangerous games, with very ominous consequences. Also, never listen to a talking stuffed blue cat, especially one that talks about real curses. An important lesson learned from a deceptively fluffy story.

The Doll Tree by Amelia Mangan
Eerie, very visual piece which carries you to some vivid yet surreal places. More about atmosphere than action, this takes you on a strange, dreamlike journey and leaves some horribly uncanny imagery festering in the brain.

A Little Terror by Phil Hicks
One of the most memorable stories here, and sickly funny. A boy mutilates his sister’s toys and turns them into a fearsome monster. If only lightning hadn’t struck the attic on the very same night. The good sort of nasty, with a knowing trickle of molasses-black humour.

Give it a Name by Gary McMahon
This modern day Rumplestilskin story has an inevitable ending, and the final reveal doesn’t entirely ring convincingly, but this is a well managed, unforgiving update of a sinister storybook classic.

Discarded by Nancy Rosenberg England
A short tale, where a boy trapped in an attic is spooked out by a legion of sullen, soulless dolls. Creepy at first, but it feels like it lets a little too much light in at the end.

Googly by Jeremy C. Shipp
Not as wantonly surreal as a lot of his work, but very involving and powerful. A young boy must decide what his parents want of him after they lock him in the empty attic with only his long dead sister’s bones for company. Things only get worse for him after that. Great ending, too.

Rubik’s Cube by Melanie Mascio
Can you lose your mind to a 1980s fad? A man twisted up over his responsibilities becomes increasingly averse to reality, and works through this by obsessively trying to solve the classic toy, while he also wonders just what happened to his Smurf puppet? Unusual, in a good way.

A Brightly-Coloured Box Full of Stars by Dorian Dawes
A man is led to an ordinary door on an ordinary street, where a witch promises to find him what he longs to rediscover. The trouble is, there’s always a price to pay. Very sinister with a rich and chilling payoff.

The Tea-Serving Doll by Mae Empson
The second story in the collection to channel fairytale wonder over real horror, this is still very beautiful. Beguilingly combines the plight of Japanese immigrants, family betrayal, slavery and mysterious heirlooms. This was a rather charming and well mannered finish to a seriously impressive anthology.

View all my reviews

Review: Aberrations edited by Jeremy C. Shipp

Aberrations
Aberrations by Jeremy C. Shipp
My rating: 4 of 5 stars

A strong and all-too short collection here, with Aberrations ranging from shocking and surreal, to scary and even heart-breaking. Not a duff story among them, although particular standouts were, ‘Bug House’, ‘The Hounds of Love’ and ‘Bus People’. ‘Goat Boy’ by Jeremy C Shipp also requires a re-read or two, as he continues to push the boundaries of surreal and disturbing storytelling. Most of these would also make excellent TV episodes, along the lines of the much-missed Masters of Horror. Strongly recommended for any fan of the frightening, horrific and bizarre.

Also, that cover is brilliant.

Money Well Earned by Joseph Nassise
The notorious Mothman is a very usual case for a professional hitman, and his hunt doesn’t pan out quite how he expects. An effective and genre-bending story with a slick resolution.

*Bug House by Lisa Tuttle
Eeeew. Gross, horrible, and excellent. Some deeply unpleasant, squelchy body horror gets superbly carried off, more by suggestion than graphic detail, and it’s all the more icky for that. You came here for uncomfortable, and now you’ve got it. Shudder.

The Thing in the Woods by Nate Kenyon
The first of two ‘couple hit monster with their car’ stories in this collection. With its domestic abuse aspects, there’s a dash of Stephen King in its DNA, but this is very much its own beast. Fighting to survive can bring out the best and the worst in people. It also refuses to easily answer who you should think the real monster is. Great writing.

Survivors by Joe McKinney
This deals with the human cost and emotional fall out following a worldwide zombie holocaust. A soldier revisits old and painful memories of someone he tried to save. Emotional stuff that doesn’t skimp on the gore, as well as adeptly handling the character’s post traumatic stress and survivor’s guilt.

The Hounds of Love by Scott Nicholson
The toughest, most rewarding story here. Disturbed, nightmarish, and extremely sad, it’s very hard to read (content-wise) and yet utterly compelling. You’ll need a strong stomach for the quite graphic description of animal cruelty, yet if you stick with it the payoff more-than compensates. Deftly delivered and brilliantly written, with complex layers of darkness. Love is truly all around.

Goat Boy by Jeremy C Shipp
It’s about a goat boy. Who, er…well, he….look, just read it, ok? I’ll get back to you. Maybe you can explain it. Because this was great. Yes, I liked it. Huh? No, I did. Supreme surrealism as always, recommended despite the inevitable head-scratching. I may have to re-read again. And again. Strange relationships get pulled through every possible dimension. There’s a goatlike-man, who…look, let’s just go with it.

Tested by Lisa Morton
The second ‘couple hit a monster with a car’ story from a very different viewpoint. This time it’s all from a male perspective. After a dreadful car crash in an isolated spot, a mild-mannered husband has to dig for his long-buried courage in order to make it through a terrifying ordeal. A very solid survival story.

Bus People by Simon Wood
A totally accurate portrayal of the population one generally encounters when using public transport, albeit taken to gruesome extremes. Marvellously grotesque, displaying a fine eye for the freakishly uncomfortable. Bus journeys really are just like this. Highly recommended.

Beggars at Dawn by Elizabeth Massie
A former soldier confronts his guilt and trauma after surviving the trenches, receiving support from an unexpected quarter. This is a gentler story about the healing of the human spirit, and it feels noticeably different to the rest of the stories in this collection, but it’s effectively written and well worth a look.

From Hamlin to Harperville by Kealan Patrick Burke
A very famous fairy-tale gets a disturbing modern update, although it’s really more of a ‘what happened next’ piece. Can a monster really live as a human? Can they ever escape what they are and what they did? Creepily effective, and fully in the spirit of the original children’s story.

View all my reviews

Lovecraft Week! Review: ‘Howard Lovecraft and the…’

While H. P. Lovecraft’s stories are generally filed on the horrific side of the library, there’s no doubt that his writing is accessible to almost any age group. Unpleasant events in his stories generally happen behind a screen of cleverly structured sentences, spawning great unease in a timeless and highly atmospheric manner, and leaving enough to the imagination to scare the bejesus out of any reader. While most of his stories are not graphic in the modern horror sense, they are frequently about abominations squirming their way into humanity’s corner of the universe. This means that there are always lots of monsters in his work. And kids love monsters.

Bruce Brown takes advantage of this by creating two visually stunning graphic novels that follow the (we can only assume) fictional adventures of a young ‘Howard Lovecraft’. In ‘the Frozen Kingdom’, he innocently reads out forbidden passages from his asylum-bound father’s copy of the Necronomicon, promptly getting him flung into the ice-spelled lands of a Kingdom where the Elder Gods hold sway and deadly conspiracies abound. Howard must summon all his courage and daring to survive his journey there.

In the direct sequel, ‘Howard and the Undersea Kingdom’, (co-written this time with Dwight L. MacPherson), our young hero’s troubles only increase. Unpleasant beings from beyond are hunting him and his notorious book, and now his beloved mother is also in great danger. Luckily Howard’s knack for making strange alliances continues here too, introducing a fabulous policeman character who provides some much-needed heavy firepower. There’s also a cat which can more than hold its own against an oozing shoggoth or two, and plenty more insider references for old school fans to enjoy.

However, you don’t need to be a Lovecraft buff to get quickly drawn in by these stories. Although substantial liberties are taken with what’s known of H P Lovecraft’s life, this is a beautifully illustrated and often very funny introduction to the Cthulhu Mythos and its gruesome gallery of monsters. The dialogue is hilarious, and the increasingly terrifying situations are played with a tongue firmly in cheek, especially when Howard acquires his new best friend, ‘Spot’, who is an utterly charming and thoroughly unlikely side-kick. The powerful artwork also keeps the mood strange but wholly accessible.

In fact the illustrations, rendered in both novels by Renzo Podesta, are truly gorgeous. A lush approach to line and colour breathes sweeping life into the endless frozen wastelands and deep green undersea landscapes, as well as giving a vast scope to the towering eldritch abominations. The monsters look appropriately sinister, yet some are strangely appealing (Spot!). Happily there’s no skimping on the tentacles, or on the potential horror of the situations. This is adult horror gentled through a child’s eyes, playing on Howard’s joyful wonder and feeling more like a coming of age quest, or a decent 1980s teenage-orientated film with a very large budget. While there are somedark moments, there certainly aren’t any decapitated heads in here, but it doesn’t hide the bleak, shadowy nature of the dangerous dimensions where Howard winds up.

Bruce Brown’s graphic novels are a brilliant introduction to H P Lovecraft and certainly are suitable for ‘all ages’. You’ll laugh, you’ll groan, and you’ll cheer, and then quickly check the back of your sofa for shoggoths. A gorgeously presented collection, these two books really aren’t enough. Luckily, it seems likely that there’s another sequel on the way!

Highly recommended.

View all my reviews

Also related:

You Know, For Squids…

Lovecraft Week on the Haunted Eyeball:

Review: ‘Future Lovecraft’ anthology by Innsmouth Press

1980s cartoons & Lovecraft: The Real Ghosbusters ‘The Collect Call of Cathulhu’

Bite sized Lovecraft stories by James Pratt

Lovecraft Week themed week ends tomorrow, but horror and H P Lovecraft especially will always be a recurring subject here on the Haunted Eyeball!

Review: Future Lovecraft by Innsmouth Press

Future Lovecraft
Future Lovecraft by Silvia Moreno-Garcia
My rating: 4 of 5 stars

Edited by Silvia Moreno-Garcia and Paula R. Stiles

You’ll definitely get your money’s worth from this vast collection of stories and poetry, which takes humanity’s relationship with the Cthulhu Mythos into the distant future and to other worlds far beyond our own. It also takes readers to fresh horrors on aliens planets and in some very trippy alternate dimensions. Lovecraftian monsters invade both inner and outer space, and it’s likely more than one story will stay with you long after completing this substantial collection. It may not be a surprise that there aren’t many happy endings here, although that can depend on which way your squid is battered. There are also more than a couple tales involving worryingly insane astronauts and doomed asteroids, and spaceships, but none of these blend into a homogeneous, shoggothy mass. The sheer variety is very impressive. Future Lovecraft is an unsettling look at humanity’s future, and questions if we even have one at all.

The Haunted Eyeball’s preferred stories in this collection are marked with a ‘*’ and explanations about why are given in the brief summaries underneath.

In This Brief Interval by Ann K. Schwader

Poem. Best line – ‘Before our sun first sparked, the stars / turned right.’

In the Hall of the Yellow King by Peter Rawlik

A diverse group of Lovecraftian alien races and outer-dimensional beings meet for a grave negotiation, and a power play which could change the very structure of the universe.

Inky, Blinky, Pinky, Nylarthotep by Mick Mamatas

Humanity evades the return of the Great Old Ones by transporting themselves into the virtual Newspave, but they haven’t quite avoided the threat of destruction and madness, and it’s possible that the only way out is to evolve into a self-replicating PAC-MAN-esq game. Utterly mad, although I think it almost made sense.

*Tri-TV by Bobby Cranestone

Channel hopping was never this fun on Earth. Flicking between TV stations somewhere in space, it appears our future is indeed touched by Cthulhu, and all his mates, too.

Do Not Imagine by Mari Nessas

Poem. “We see your grey ships
and thirst
We eat upon human screams,
and in the shadows of the stars,
We hunger.”

*Rubedo, An Alchemy of Madness by Michael Matheson

Brilliant tale. Stranded at the ass end of space, a female scientist assists with a difficult birth. Terrific description really pulls you into this tale of insanity, sadness and solitude. Very impressive space action here, too.

People Are Reading What You Are Writing by Luso Mnthali

Felt like a highly surreal Margaret Attwood study on the power of words to stir people, especially women, from their oppression, even after humanity has colonised other worlds. Interesting.

*Harmony Amid the Stars by Ada Hoffman

More madness aboard a spaceship, but who is truly losing their mind? Effective use of the diary entry format (this is a Lovecraft collection after all) and the characters are cleverly sketched as events unravel. Feels nicely old-school, and I mean that in a highly complimentary way.

*The Comet Called Ithaqua by Don Webb

A deliciously ghoulish tale of outer space madness and folks pushed to breaking point losing a bit of their humanity in the process. Another classic Lovecraftian tale of mankind bringing its nightmares wherever it goes.

Phoenix Woman by Kelda Crich

Poem. “Groomed with persistent
nano-mites”
and

“ancient teeth/ feed by fluttery mouths”

Postflesh by Paul Jessup

A spaceship crew are stranded on an alien world inhabited by leftover biotech creations. Graphic, poetically written and appealingly nasty.

*The Library Twins and the Nekrobees by Martha Hubbard

Two super-powered twins guard a futuristic library containing the last few hard copy books in existence. They catch a powerful entity attempting to alter the meaning in their pages, and a battle soon ensues. A great story, witty and flowing, and the fearless twins’ banter is great fun to read, while the creature they encounter poses a significant threat. Leaves you wondering ‘what if they failed….?’

Go, Go, Go, Said the Byakhee by Molly Tamzer

Utterly mental in an enthralling way. You don’t so much read as tumble between the lines, but this zips along with an irresistible sense of primitive, savage innocence, and also, it’s full of tentacles. Great fun.

*Skin by Helen Marshall

After a fateful trip to Egypt, a university professor reports on a morbid secrets of the Alexandria library which were learned while investigating the origin of ancient book cover, bound in an unidentified type of leather. What is the price of preserving knowledge? Ominous and very effective.

The Old 44th by Randy Stafford

Poem: “Right there, where the mesa ends,
And their blue, frothy Hound blood
Shone under the moons,
Is where they’re kennelled.”

Iron Footfalls by Julio Toro San Martin

Partly a stream of conscious, a cyborg soldier awaits rescue, and as she tries to figure out the cause of the delay, it seems she might be waiting an eternity.

This Song is Not For You by A. D. Cahill

Poem: “His writhing, festering pleasure
Strikes a ten-dimensional chord.”

*Tloque Nahuaque by Nelly Geraldine Garcia-Rosas

Scientists harness the power of creation, via the hadron collider, with some dire repercussions for reality. Surreal and full of monsters, which are a good thing, this was written with authority and class.

*Dolly in the Window by Robyn Seale

Excellent story creating a real switch in the reader’s perspectives as the narrator, who appears deeply violent and unpleasant, starts to explain the unhappy reality of the situation. Creepy, very effective.

*A Cool, Private Place by Jen White

The real estate in this part of Australia is cheap, but only because no one else is crazy enough to live so near to ‘time wells’, bubbles of time past and future. Occasionally, something gets into present day, and this expertly crafted tale explores how you might survive it.

Venice Burning by A. C. Wise

A jaded private eye investigates a missing person case, in a bleak world where timestreams have mashed together following the rising of R’lyeh. Great imagery.

A Day and a Night in Providence by Anthony Boulanger

A pilgrim isn’t all he seems as prayers bring forth madness and the end of the world. Perceptions of holiness are about to change. An effectively realised sense of doom, destruction and religious madness.

*A Welcome Sestina From Cruise Director Isabeau Molyneux by Mae Empson

In retrospect, feeding the starving people of earth with baby giant squid, found underneath the ice cap, might have been a mistake. Presenting in an unravelling stream of consciousness, this was effectively quirky and may possibly make you very hungry while you read…

* Lottie Versus the Moon Hopper by Pamela Rentz

A space-shuttle cleaning crew get a lot more than they bargained for. This blue collar sci fi story is written with a very wry sense of humour, and some vividly realistic, world-weary characters really bring this great piece of ‘horror from a mundane perspective’ to life.

*The Damnable Asteroid by Leigh Kimmel

A strange meteorite is sucked into the orbit of a mining-pod’s asteroid, and starts to have an unpleasant effect on the men underneath its gaze. Proper old school science fiction nightmare, there are things out there in space we really shouldn’t mess with, and keep watching the skies!

*Myristica Fragrans by E. Catherine Tobler

An alien market owner (although actually considerably more exotic than that sounds) comes into contact with some unusual specimens which start to obsess her to a dangerous extent. Unusual, and highly effective.

*Dark of the Moon by James S. Dorr

A female Russian cosmonaut deals with outer space by reading Western science fiction writers, only to discover that Lovecraft may have been on to something. Definitely worth a look, sadness and the dark side of the moon are a powerful combination.

*Trajectory of a Cursed Spirit by Meddy Ligner

A fantastic tale of the Russian gulag translated up to Mars, and what a political prisoner found out there. This story has a really classic feel, with a very impressive use of setting and character.

Transmigration by Lee Clarke Zumpe

Poem: “the sparks of his divine machinery
danced above the roofless temple
beneath the swarming, callous stars.
I saw inappropriate shadows.”

*Concerning the Last Days of the Colony at New Roanoake by Tucker Cummings

Another great story using the classic diary entry structure. More of a report on what was found at a doomed colony, and it leave just enough is left unsaid, or has been lost, for the reader to draw their own startling conclusions.

*The Kadath Angle by Maria Mitchell

Set in Lovecraft’s notorious town of Innsmouth, many years after the army got involved, many years after humanity forgot all about it. Even this mutated town has its social pariahs, but even monsters can greatly underestimate each other.

*The Last Man Standing by Ezeiyoke Chukwunonso

This takes an unusual perspective on a worldwide apocalypse, basing its story in Nigeria. It turns out, old superstitions die hard, even through a modern day plague. Bleak but very involving.

Exhibit at the National Anthropology Museum in Tombustou by Andrew Dombalagian

A short piece that examines an artefact that ‘early’ humans used to plead with the Elder Gods for protection, with more poetry than prose here, a cleverly frozen moment using a futuristic perspective.

The Door From Earth by Jesse Bullington

On an alien world, they have as much trouble stopping mad scientists as Earth-bound heroes. Really fun, Lovecraft-flavoured science fiction here. Its non-human protagonists add some real spice, too.

The Deep Ones by Bryan Thao Worra

Poem: “We grow with uncertain immortality
At the edge not made for man,
Bending, curving, humming cosmic
Awake and alien,”

* The Labyrinth of Sleep by Orrin Grey

A professional dreamer (shades of Inception here if you’d like a reference) seeks out a missing friend in the universal labyrinth of dreams, and learns something rather troubling about the deepest levels of humanity’s sub-consciousness. Highly recommended.

*Deep Blue Dreams by Sean Craven

Using jellyfish sludge creates a cheap, natural high, only you’ve gotta feed it something…the term ‘Jellyhead’ is great, and this is a delightfully squidgy tale of a worldwide addiction going badly wrong.

Big Bro by Arlene J. Yandug

Poem: “Watching the dust
Of our names
In the wake of our own thoughts,
Crawling out
through the cracks of cubicles.”

View all my reviews

Lovecraft Week: Two bite-sized stories by James Pratt

To kick off this week’s Lovecraftian theme, The Haunted Eyeball proudly presents two short but effective Lovecraftian horror stories by James Pratt.


There’s A Light On At The Old Sutter Place

Despite feeling his age, Goodman Elder must leave his wife and supper and go into the night to investigate a light burning at the abandoned homestead of some long-missing neighbours. What he finds there might not be a surprise, at least to him, but it must be taken care of. Borrowing its shadows from H P Lovecraft’s The Dunwich Horror, this is a highly effective tale of dark family secrets and the strenuous efforts of those trying to keep the gates between earth and eternal darkness closed, no matter what it takes.

 


“A clown with an axe walks into a church…”

When the world is being torn apart by inter-dimensional monsters, and the person sitting next to you could turn into a tentacled horror at any moment, it pays to be a little cautious. Five survivors, perhaps the last people still alive anywhere, have taken final refuge in a church, but tempers are fraying. As things hit boiling point, there’s a loud but unmonsterly knock on the door. So just what is still out there? Played with deliciously deadpan humour, and daring to end on a high note, this is a masterfully skewed-up post-apocalyptic story. Yes, there’s a clown, too. Don’t freak out.

If you’re seeking a quick dose of Lovecraftian terror to set you up for the week ahead, these two bites are an excellent way to start down that dark, infinite path. Highly recommended.

Coming up tomorrow – Tuesday:

The Haunted Eyeballs takes a look at the ‘Collect Call of Cthulhu’ episode of the Real Ghosbusters!

 

Also of interest

Interview with James Pratt One  Two Three

He’s been reviewed on the Haunted Eyeball before!

When Dead Gods Dream by James Pratt

5 Stories That Bite by James Pratt

More Lovecrafty goodness on the Haunted Eyeball

Innsmouth Magazine Issue 8

Author Interview: James Pratt (Part 3 of 3)

Black Scarab picture, James Pratt,

Meet James Pratt (disguised as The Black Scarab)

Welcome to the final part of the Haunted Eyeball’s interview with horror author James Pratt. Today we discuss Inspiration & Publicity.

Part 1: Writing Process

Part 2: Inspiration and Publicity

Part 3: Lovecraft and Horror! – TODAY

James Pratt likes to create realistically flawed but basically decent characters and have them cross paths with serial killer angels, redneck vampires, slithering horrors from other dimensions, and the end of the world. He also likes to write stories that demonstrate how the ever-present darkness threatening to wash over the world like a wave of endless night can be held back with a little courage and a big shotgun (assuming one hasn’t already used both barrels, of course). Some take place in the distant past, others in the far future, and still others somewhere between eight minutes ago and twelve minutes from now. Whether sci-fi, adventure, or straight-out horror, the running theme is that the universe is very, very big and we are very, very small.

His books are available on both Smashwords or on Amazon. You can also follow James on Goodreads and Twitter.

Lovecraft and horror! 

Haunted Eyeball: What’s the first H P Lovecraft story you remember reading?

James Pratt: The Shadow Out of Time. I found it confusingly fascinating.

What drew you to Lovecraft? Why are you still a fan?

I was drawn to Lovecraft by the vast scope of his imagination and ability to convey an absolute sense of cosmic wonder and dread. I now read his works with a more mature and critical eye, but I’m still a humongous fan. His contribution to modern horror is undeniable and the sheer ambition of his stories has yet to be matched.

What do you most enjoy about mixing up genres and mixing in Lovecraft and horror?

I like the idea that the Cthulhu mythos has always been there, subtly infiltrating and influencing history and providing the foundation upon which many myths are legends were unknowingly built. The desolation of the mythic Wild West is a perfect setting for Lovecraftian horror. And the mythos’s fluid nature and resistance to continuity makes it extremely flexible for use in unconventional settings and genres far removed from traditional horror, like say for instance Winnie the Pooh’s Hundred Acre Wood. Not that anyone would be sick enough to write a Lovecraftian Winnie the Pooh story, of course.

How do you feel about ‘torture porn’ and other labels ascribed to modern horror films and books?

Unfortunately, in many cases it’s an accurate label. Personally, I find horrors movies that are essentially pretend snuff films extremely boring. I like monsters and supernatural weirdness, not women being raped with chainsaws. Being explicit for its own sake isn’t the same as pushing the envelope. That being said, I have to admit I was fascinated by the wonderful grotesqueness of Clive Barker’s Books of Blood.

What’s the last horror film or book you read or watched?

I’m ashamed to answer this one. I think it was ‘The Convent’, a movie about demonic nuns. It was pretty cheesy, but on the plus side Adrienne Barbeau was in it.

Horror writers can get jaded! What film or book (or picture!) last really scared you?

I found the first ‘Paranormal Activity’ movie genuinely creepy. ‘Insidious’ also had its moments. I loved the demon. And I can still watch ‘The Exorcist’ and feel a bit uneasy. I really wish it was possible to ‘delete’ experiences so you could see a film or read a book for the first time over and over again.

Do you have a survival plan for the end of the world? Which end of world scenario – zombies, bunny overcrowding, owl infestation, would you rather end up facing?

I’ve mapped out which neighbors would be easiest to handle in case I have to resort to cannibalism. My favorite end of the world scenario would of course be the return of the Old Ones. I won’t have to face it though. As a worshipper of Cthulhu, I’ll have the honor of being eaten first.

Which character you’ve created is your favourite (so far)?

I really like my version of Elvis in ‘Cthelvis’ but he’s based on an actual person and to be honest it didn’t take much work to turn the real thing into a wonderfully weird character. If I had to pick one, it would probably be Horton the rockabilly vampire from ‘Horton Hits a Ho’, closely followed by the brothers Sanjay and Umesh from ‘Incident at the 24-7’.

Are vampires losing their bite? (y’know…Twilight…) or is more variety a good thing?

As fictional creatures, vampires can be whatever a given writer wants them to be. That said, I HATE what vampires have become. Dracula wasn’t a love story, it was about ego and obsession. And what happens when you piss off Vengeful God (as opposed to Loving God). When the monster becomes the cool kid, he’s no longer the monster. Or maybe he’s just a different sort of monster, and definitely not the kind you want to root for. To me, Christopher Lee’s Dracula was the quintessential vampire. He wasn’t a hopeless romantic trapped in an immortal body but a monster whose human appearance was just a disguise. Vampires are supernatural parasites. They can’t give, they can only take. But that’s just my opinion. If somebody can make a living writing schlocky romance stories about star-crossed (undead) lovers, more power to them.

The future!

What are you currently working on (scary, I know)?

Trying to finish a fantasy novel with Lovecraftian overtones, sort of a cross between The Lord of the Rings and The Shadow Out of Time.

Are there any other writers you’d like to work with?

Yeah, but they’re all dead. I’m sure there are plenty of writers out there, indie or otherwise, that I would love to collaborate with but like I said, I haven’t even begun to tap the full potential of social media and connect with any of them. I’ve got to get my act together.

And finally…

 Any message you’d like to give to the lovely readers of the Eyeball?

If you wish there were more non-conventional books and films out there, then support what you like. YOU determine the market, not the other way around. If you want to make a living doing something creative, don’t wait for the world to come knocking at your door. Go out and create.

Thank you for reading this interview with the wonderful James Pratt, you awesome Eyeballers.

Don’t forget, all of James’ books are available right now at Smashwords, Amazon and check him out over on Goodreads and Twitter.

Also of interest:

Part 1 of this interview.

Part 2 of this interview.

James Pratt’s work has already been reviewed right here on the Haunted Eyeball!

5 Stories That Bite by James Pratt

When Dead Gods Dream by James Pratt

Other Author interviews:

A recent Eyeball Interview with urban horror writer Chris Davis

Author Interview: James Pratt (Part 2 of 3)

Black Scarab picture, James Pratt,

Meet James Pratt (disguised as The Black Scarab)

Welcome to the second part of the Haunted Eyeball’s interview with horror author James Pratt. Today we discuss Inspiration & Publicity.

Part 1: Writing Process

Part 2: Inspiration and Publicity

Part 3: Lovecraft and Horror! 

James Pratt likes to create realistically flawed but basically decent characters and have them cross paths with serial killer angels, redneck vampires, slithering horrors from other dimensions, and the end of the world. He also likes to write stories that demonstrate how the ever-present darkness threatening to wash over the world like a wave of endless night can be held back with a little courage and a big shotgun (assuming one hasn’t already used both barrels, of course). Some take place in the distant past, others in the far future, and still others somewhere between eight minutes ago and twelve minutes from now. Whether sci-fi, adventure, or straight-out horror, the running theme is that the universe is very, very big and we are very, very small.

All of James’ books are available right now at SmashwordsAmazon and check him out over on Goodreads and Twitter.

Inspiration & Publicity 

Haunted Eyeball: Who were your favourite author(s) while you were growing up?

James Pratt: That’s a tough one. When I was younger, I didn’t make a point to read any one author. I did discover  Kurt Vonnegut,  Stephen King, and Roger Zelazny in high school. If someone had told me I could only read the works of one of them back then, I probably would have chosen Stephen King because he gave me my first real taste of modern horror.

Favourite author now?

It would be a toss-up between Kurt Vonnegut and H.P. Lovecraft.

Does any art or artist inspire you to write?

Not consciously. I do like the creepy, haunted house vibe of Berni Wrightson’s work though, and the desolate, end of the world quality of Brom’s illustrations.

Any favourite comic books and writers and artists?

Alan Moore, Neil Gaiman, Berni Wrightson, and Mike Ploog off the top of my head. I really liked Grant Morrison’s run on ‘Animal Man’, and Garth Ennis’s ‘Preacher’ was pretty entertaining.

Do any TV shows or films inspire you?

Everything science fiction, fantasy, and horror TV show and movie I’ve ever seen has contributed in some way to every story I’ve ever written. I was a big fan of the gritty sci-fi of the tragically short-lived TV show ‘Space: Above and Beyond’. That’s the only one that readily comes to mind.

 Publicity

 How do you think social media has helped ‘indie’ writers?

Social media is a great way to market yourself and if you do a good enough job, you can write the stories you want to write and make a living doing something you love on your own terms.

Which ‘social media tools’ do you think connects you most successfully with fans? I.e. from Twitter to Goodreads and Facebook, blogs etc.

I’m not sure. I haven’t done a very good job of using their full potential. Twitter has put me in contact (more or less) with the largest number of people in the shortest amount of time, but I’m not sure just how effective it’s actually been. Each of my tweets is just one among millions.

Explain a bit about your ID picture. Why have you chosen an illustration over a photo of yourself?

My ID picture is the Black Scarab, a pulp superhero-style character from a story I wrote called The Black Scarab in “The Sad, Strange Fate of Evil Eye”. I used that because I think it’s a cool illustration plus I believe that when you get your picture taken the camera can steal your soul. (We think he’s joking… – H.E.)

How do you pick your book cover designs?

A good cover is important, but the amount of thought and effort I put in really depends on how motivated I’m feeling at the time. If the story features a visually striking character there’s a good chance he’ll make it on the cover, otherwise it’s probably going to be just text. I use a program called HeroMachine to create the covers. It’s pretty versatile but primarily for illustrating characters so when designing a cover, its limitations are also a consideration.

How seriously do you take reviews, be they good bad or indifferent!

Pretty serious. I have low self-esteem so I crave validation. Ironically, when someone gives me a good review, I assume they’re just being generous. On the other end of the spectrum, somebody gave all the free stories I had listed on the Barnes and Noble website one star so I had the stories removed. Childish, I know, but if you just want to bash me you should have to pay me first. I also tend to view indifference as a polite way of saying “I didn’t care for it.” I’m a big baby.

Sounds like a reasonable response to us, James. 

Thank you for reading Part 2, you awesome Eyeballers.

Part 3 of this interview, where James discusses H P Lovecraft and Horror, is coming up tomorrow!

Don’t forget, all of James’ books are available right now at SmashwordsAmazon and check him out over on Goodreads and Twitter.

Also of interest:

Part 1 of this interview.

Part 3 of this interview

James Pratt’s work has already been reviewed right here on the Haunted Eyeball!

5 Stories That Bite by James Pratt

When Dead Gods Dream by James Pratt

Other Author interviews:

A recent Eyeball Interview with urban horror writer Chris Davis